DOLCE RADIO #8
James Dewitt Yancey — the pioneering hip hop producer latterly known as Jay Dee and J Dilla — was born in Detroit on February 7th, 1974 to an opera singer mother and a jazz bassist father. As an adult, his loose rhythms and distinctive sounds drew from jazz, soul, funk and R&B all at once — inspiring a generation of music fans in the ‘90s and beyond. He would die from a lupus-related illness within days of his 32nd birthday, on February 10th, 2006.
To mark the anniversary of both his birth and his passing, we’ve compiled a new DOLCE radio mix to celebrate the legacy of J Dilla — a musician so influential that The Guardian once described him as “the Mozart of hip hop”.
Yancey’s career began in high school when he befriended eventual Slum Village bandmates Titus Glover and RL Altman III over their shared passion for rap battles. Years later, in the late ‘90s, the trio would be hailed as successors to the disbanding A Tribe Called Quest with the release of records like ‘Fantastic, Vol. 2’. The album, which includes key tracks like ‘Climax’ and ‘I Don’t Know’, was lauded by critics — who praised Yancey’s subtle rhythmic grooves and intricate bass lines in the production.
By the turn of the century, Yancey was well-known on Detroit’s underground hip hop scene. He’d passed on a demo tape to Q-Tip (A Tribe Called Quest) as early as 1994, and was soon collaborating with the producer as artists like Janet Jackson, De La Soul and Busta Rhymes sought him out thereafter. The Pharcyde’s single ‘Runnin’, released in 1995 when Yancey was just 21, ranks among his most beloved productions of the era — incorporating classic Stan Getz jazz samples over laid-back beats.
Greater recognition followed in the early ‘00s, as Yancey combined with The Roots’ Questlove and D’Angelo as a member of the Soulquarians collective, who worked with talents like Common and Erykah Badu. He also collaborated with hip hop artist Madlib for the album ‘Champion Sound’ in 2003 — on which half the songs are Madlib productions featuring Yancey on vocals, and the other half vice versa. All the while, a successful solo career blossomed following the release of the album ‘Welcome 2 Detroit’ in 2001.
In 2005, ‘Donuts’ — a rich and sample-heavy instrumental record that only broadened his popular appeal — was written and recorded while a bedridden Yancey was receiving treatment in Cedars-Sinai hospital in LA. It was released the following year to universal acclaim, three days before his death.
Admiration for Yancey’s music would deepen in the years thereafter with the release of numerous posthumous works (including a collaboration with his younger brother, Illa J, and unfinished or unreleased albums like ‘The Shining’ and ‘Jay Love Japan’). Today, his legacy remains intact as one of the greatest hip hop producers of all time.
Long live J Dilla!